Do creative people have more vivid dreams?

When I went to an acupuncturist, he asked me about my dreams. I told him I have lots of vivid fascinating dreams, complete with backstory, in full colour. I didn’t tell him they were sometimes stylized (if I’d been reading graphic novels) or, on rare occasions, set to music with rhyming dialogue. ( I know, weird).

He said it wasn’t normal for people to dream vividly every night. I’d thought my dreams were normal.

And perhaps they were for me.

According to David Watson, a professor of psychology in the UI College of Liberal Arts and Sciences,  “There is a fundamental continuity between how people experience the world during the day and at night,” he said. “People who are prone to daydreaming and fantasy have less of a barrier between states of sleep and wakefulness and seem to more easily pass between them.” In other words, creative people tend to have vivid dreams. See the full article here.

Now, it seems,  video game players might be able to control their dreams up to a point. Jayne Gackenbach, at Grant McEwan University has been doing research into dreams and gamers. She found that lucid dreamers and gamers tended to have better spacial skills. Both groups had a high level of concentration.  According to a 2006 study, people who frequently played video games were more likely to have lucid dreams and to be aware that they were dreaming.

“A second study tried to narrow down the uncertainties by examining dreams that participants experienced from the night before, and focused more on gamers. It found that lucid dreams were common, but that the gamers never had dream control over anything beyond their dream selves.

The gamers also frequently flipped between a first person view from within the body and a third person view of themselves from outside, except never with the calm detachment of a distant witness.” See the full article here.

I’ve been reading a book on current knowledge about plasticity of the human brain. It looks like game players have been rewiring their brains specfically for this ability. The more you do something the more this sinks into your brain and becomes second nature.  So keep reading, keep day dreaming and keep dreaming. It is all tied into creativity, even if we don’t understand how or why, just yet.

I’ve used scenes from dreams as leaping off points for stories. Do you experience vivid dreams? Ever had a dream where everyone is talking in rhyme?

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More discussion on e-books

There’s a post over at the Mad Genius Club – writers division on e-books. Apparently Penguin have entered into an agreement with Amazon. But the pricing structure of their e-books doesn’t appear to make sense. Why pay more for some e-books than you do for the paperback?

One commenter sums it up succinctly:

For Baen e-books, they have apparently set their price point a little below their currently available hardcopy. This is exactly what I see as reasonable. The truth is that there is a loss of tactual enjoyment by reading e-books. You lose the colorful cover. You lose the non-volatile storage format (excepting things like fire and water). You end up with weird layout bugaboos and editing glitches from the combined effects of data-format transfer and whatever point in time the manuscript was ported over during the production process.

What you gain? Well, the books are readable if not necessarily as friendly or professionally laid out. You get more shelf-space. The ability to have multiple “books” in one device. Library portability. And the recurring need to recharge your reader.

I recently spent 9 days on a driving holiday in Tassie. I took my laptop to write on. I would have taken some books to read but I tend to read big fat fantasy books and they take up so much room and are so heavy … A small, user friendly e-reader would have been great. I could have had my pick of books, depending on my mood. (I know I could have taken e-books on my lap top but it is a baby lap top and the screen is the size of a postage stamp. Trying to read on that, after writing on it would have driven me crazy).

One thing about belonging to a shared blog with US citizens is it makes you realise how cheap ordinary books are over in the states They talk about paying $10 for a paperback. Here we pay $19.95 and think that is reasonable. (I’m not going to get into the discussion about Parallel Importation because we would only end up with the remaindered books from overseas and it would kill our publishing industry).

Does the price of paperback and hardcovers in Australia inhibit your purchasing of books?


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For those who like their fantasy dark …


I’m currently teaching college students who are too young to have watched Buffy first time around. They don’t get any of my Buffy jokes. It is very sad.

For lovers of Dark Urban Fantasy a group of authors have gotten together to set up a blogspot here. Over the month of June they are giving away approximately 70 books. So it is worth dropping by.

I notice that Melissa Marr’s name is on that list. I’m a big fan of her writing since I discovered her first book Wicked Lovely.

Have you come across any books lately that swept you away from the real world and into another one that looked a lot like ours but there was a dark side?

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Pitch that Book

If you’re a writer, you probably dream of getting published. I know I did. (And yes, it really does feel as good as you imagine it will, the day the editor rings you up and says ‘I want to publish your book.’)

But it is really hard to get your book past the gate keeper. More publishers are saying they don’t take unagented submissions and it is hard to get busy agents to look at your work.

One way to get your work in front of an agent or an editor is to Pitch your Book at an event specifically designed for this. Pitching opportunities occur at conferences and festivals. On Saturday I ran a Pitching workshop to help people prepare for what can be a very nerve wracking experience. And I promised to provide a list of pitching opportunities. So here they are:

There are online pitching opportunities such as:

Allen and Unwin Friday Pitch

Random House Children’s Pitch

To pitch in person attend conferences. These vary from year to year. I know the Brisbane Writers Festival has had pitching opportunities. So check out your local writers festival and see what they are offering.

National Romance Conference

Childrens and Young Adult Conference

Bundaberg Writers Festival

New York and Algonkian Conferences

Here is a UK agent’s blog dedicated to the art of pitching.

The Pitch Parlour

And keep an eye on the agent and editor blogs. They often offer advice on pitching. Every now and then and agent will announce that they are open to pitches via their blog, so it is worth finding s few you like and following their blogs.

Sydney Literary Agent.

Kristin Nelson from Nelson Literary Agency.

Nathan Bransford from Curtis Brown.

Book Ends Literary Agency.

So that should be enough to get your started. Let me know if you have any questions.

Meanwhile, there were some questions about agents, so I’ve done a post here, for anyone considering approaching an agent.

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Drive by Post.

I’m running a Hands-on Pitching Workshop tomorrow.

Once again, the Redlands Libraries are supporting the writers in their area. For those of you who live in South East Queensland and know where the Victoria Point Library is, the workshop is on from 10 – 12 noon. Call Leah on 07 3829 8779

Bring your thinking cap, as they used to say in school!

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Back refreshed and ready to tackle a recalcitrant book!

You know how your mind gets when you’ve been working too hard. Seen the same thing day after day, done the same thing day after day and tried to be creative on top of that?

My mind felt stale.  Taking a trip to Tasmania was just the thing I needed to refresh myself.  The air was crisp and cool, something we don’t get much of here in Brisbane, and everywhere I looked there were scenes worthy of photographing. Not that I’m much of a photographer. Daryl took this one of Ross Bridge.

It was built by convicts back in the days when a soldier who had served at Waterloo could find himself on the other side of the world in a tiny town in the middle of Tasmania, guarding the female convicts.

I took this picture at dawn from the top of a hill at St Helens on the east coast of Tasmania. It was beautiful, the photo doesn’t do it justice. The people inthe house below had a fire going to keep warm and I was trying to capture the dawn sun shining through the smoke.

The other thing that I did a lot of was writing. I took my lap top and wrote about 60 pages of my latest WIP (work-in-progress). I did want to finish the book and I’m about a chapter off the end but I can’t finish it.

I know how I want the story to end, but the characters are refusing to go in that direction. I’ll have to return to the beginning and rewrite it, tweaking as I go, to get to know them all over again, because they have grown and changed as I wrote. Now they have a better idea of what is true to them, than I do and forcing them  to do something just because I’d planned it, is only going to make the writing flat and boring. Sigh.

Do you have recalcitrant characters?

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Holiday to restore my Creativity

I’m about to leave for a driving holiday around Tasmania. And frankly, I need the break. I will be taking photos but I’m sure they will never be as good as these. So I’m going to leave you with them for inspiration.

From Travel Point.

From Gondawananet.

Meanwhile, I’ve done a post on creativity and promotion over at the Mad Genius Club blog. And there will be a post on the ROR blog on Sunday about Dialogue, and another one on the MGC on Tuesday about Characterisation.

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Industry Links

On Saturday I ran two workshops,  Proposal Writing and How to write Dark Urban Fantasy. The attendees asked so many questions about the publishing industry and the craft of writing that I kept saying I’ll put a link on my blog. So here is the post with the links to all those sites we talked about. Hi People  (waving madly).

Getting feedback on writing.

You’ll get feedback from a writing group, preferably one that concentrates on your genre.

A lot of the attendees were writing speculative fiction (dark urban fantasy, fantasy and SF). So here is a link to the VISION writing group. They meet in person in Brisbane, but they also have an online group where you can swap industry information and ask questions.

There’s also Romance Writers of Australia for those who are writing paranormal romance and dark urban fantasy. If you drop by the Authors page, you’ll see Keri Arthur (Best Selling Dark Urban Fantasy Writer) is a member. The authors are listed alphabetically and you can see what area they are published in on the right. RWA has a paranormal e-list for writers of this genre.

You could do Year of the Edit with the Queensland Writers Centre. They also run Year of the Novel which is on the same page.

Then you could get your manuscript appraised by someone who knows the genre. The Australian Writer’s Market Place is a great resource for finding publishers, agents, competitions and manuscript appraisers.

You could also apply for a mentor through the Australian Society of Authors. A mentor will guide you through the process of writing and give you feedback. Here are last year’s successful entrants who won a mentorship. The Competition is run every year, so watch out for it.

To get your work noticed:

You could enter competitions (you’ll find them in the Australian Writers Market Place) but here are a few.

Varuna runs a number of programs such as fellowships and mentorships.

The QWC is offering an opportunity for children and Young Adult writers to work with editors from Allen & Unwin. And this is their page for general compeitions and opportunities.

CYA Conference (Children & Young Adult writers) often runs pitching opportunities as well as a competition for both published and unpublished writers.

Bundaberg Write Fest is run each year and often has an opportunity to have your work read by and agent/editor.

There’s the Text Writing Competition for YA and children’s books.

The Ipswich Writers Festival aren’t runnign their competition any more and Voices on the Coast and Somerset Literary Festicval competition are for children who write, not for children’s writers.

Steampunk

The workshop attendees were also intrigued by the steampunk genre. Here is a link to Richard Harland’s post about how to write steampunk. And here is a link to Richard in his outfit, about to set off on his book tour. Here is a link to a post I did on the topic, complete with steampunk dalek!

Editing

I did a post recently onthe editing process and here it is.

E-Books

I did a survey on e-books, who is reading, who is writing for them. Here’s the results. There are links through to several other posts on e-books.

So that is it for now. If there’s anything I’ve missed let me know.

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Nourish the Inner Writer

It is time for me to ‘Nourish the Inner Writer’. I had to take myself aside the other day and tell myself, ‘You can’t do everything, Grasshopper. Take a step back and have some quiet time’.

I feel like I have been running on the spot since I went back to work in February. Teaching three subjects was fun, I enjoyed the students and I learnt so much, you always do when you teach. This time it was Academic Essay Writing, Interactive Narrative (for computer games) and Script writing & Storyboards. But this meant there were assignments to mark every three weeks or so, because we run an accelerated course and it was the marking that got to me.  I’ve just finished a week of marking to get everything done in time for moderation.

All this wouldn’t be so bad if I hadn’t had to edit my three books in the same 12 weeks. The books come out a month apart starting in June. Over here at the ROR blog I’ve done a post about the editing process. The short version is that each book has to be edited 3-4 times before it goes to the printer and each book is over 100,000 words. I’m up to the page proofs of book two (that’s the last one before it goes to the printer) and I just sent back the copy edits (that’s the second last one) of book three. So I’m nearly done.

On top of this I’ve been trying to write the first book of my Australindia series, which is really exciting, but completely new — new world, new characters etc. I find writing a first draft requires dedicated time at the computer because I have to get into the headspace where the characters and the world come to life. And I just haven’t had blocks of time to do this. It’s made me feel guilty and slightly edgy, because the story keeps calling me back. The characters are getting ‘ansty’. (That’s Australian slang for a bit ‘aggro’, sorry another bit of Australian slang, but I’m sure you can work out what it means).

Feeling guilty because your book characters are getting neglected must be a specifically writerly phenomenon. Trent Jamieson’s done a post about it here. You have to give yourself permission to take time off to recharge the batteries.

So that’s what I’ve done. I’m going to take time off. The next term starts on the last day of May. I have a very small window of opportunity. Daryl and I are going to run away to Tasmania for a driving holiday. It’s not quite as romantic as it sounds because we have to take our youngest son (15) with us. But I am really looking forward to being visually stimulated. Tasmania is lovely. And I’m taking my laptop with me. I plan to write in the evenings. No marking, no deadlines, no large family to run about. Heaven!

So that is how I plan to nourish the Inner Writer. How do you Nourish your Inner whatever it may be?

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Extreme Nerd Alert

I have already confessed to using Lord of the Rings as my comfort movie, when I’m too sick to think straight or I just want to ‘vege’ out on the couch.

The other day at work, Brendan put me onto DM of the Rings. Now if you have ever read LOTR, or seen the movie and you’ve played D&D, then you will love this comic.

Created by Shamus Young, a software engineer and D&D player, the premise of the comic is — What would really happen if Tolkien had been a Dungeon Master, trying to get his friends to play his story as a D&D game?

The characters spend their time looking for loot and fights, or trying to seduce attactive passing females. Having had the experience of working with a lot of young males on their stories, this strikes me as pretty accurate.

Which raises the question, are our fantasy novel about honourable heroes way off the mark? Has Joe Abercrombie got it right with his disreptuable characters, who are all out to get what they can? Do we want more realistic fantasy books?

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