Category Archives: Characterisation

The Gender Divide

I belong to a writing group called ROR. (For background on the group, see here). Every year or so we get together to review out manuscripts and give feedback. There are 8 of us, but numbers vary depending on our families, work, deadlines etc.

There are five females and three males in ROR, it just happened that way, but this year there’ll be even numbers at the ROR retreat.

Although I don’t think of it as a ‘reatreat’ I think of it as a writing craft feast. Spending time with other people who are just as obssessed about the craft of writing as me, is heaven. I love dissecting story.

There is no point denying it, mens and women’s brains work differently. (Architect’s and trucker driver’s brains also work differently).  I have four sons, I know their brains are wired differently from mine. As a writer I don’t write for a male or female reader specifically. But I like to know that I can appeal to both genders and this is where having feedback from both genders helps. So I’m looking forward to the ROR feedback this year. (Not that I don’t always look forward to ROR).

As a writer I don’t limit myself to writing from a female View Point, I have male View Point characters, too.  One of the things I like to do is run a chunk of male VP text through the Gender Genie, to see if the genie can pick the gender of the character.

They say boys won’t read a book if the narrator is a female character. I can’t say that this bothered my sons. And I must admit that I don’t mind if the View Point character is male or female, as long as they are interesting.

I’ve deliberately written short stories where I don’t specify the gender and let the reader make up their mind.

What do you think? Does the gender of the View Point character influence how you relate to the character?

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Filed under Characterisation, Readers, Writing craft, Writing Groups

Being Human

When my husband said you must watch this show, it’s about a werewolf, a ghost and a vampire in a share house in Bristol trying to pass for human, I thought I have to see this.

This is the only show I actually watch on TV. (I really must get the series on DVD).

I thoroughly enjoyed the first season. And I’m finding the second season raises some lovely moral abiguities and puts the characters through the mill. Just the sort of quandries I like.

I love it that their ambition is to be ordinary!

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Filed under Characterisation, creativity, Dark Urban Fantasy, Genre, Movies & TV Shows

Matrix Overloaded!

Today I watched the first Matrix movie and analysed it with my students, twice. We looked at the way the movie follows the Hero’s Journey and the classic three act structure.

The Matrix hits so many of the steps of the Hero’s Journey it’s a good one to use. The call to adventure is actually a phone call, the Resurrection is actually a resurrection.

The first Matrix movie was made in 1999, 11 years ago and the students who were with me would have been kids at the time. They laughed at scenes that, when the movie came out, made us go ‘Wow, that is so cool’.

This made me realise how lines and images from the movie have become genre tropes, which I guess is a sign of a ground breaking genre movie.

For instance, that image of Carrie-anne Moss leaping into the air, had become a cliche by the time the princess did it in the first Shrek movie.

And there’s the spoon boy. In my house we sometimes say ‘There is no spoon’ to close a philosophical discussion. Everyone gets the reference.

Wonder what they boy is doing now.

And then there’s bullet time. Even the phrase carries the connotations. It’s a short-hand way of describing action.

For those of you who are into these things here’s a site with memorable quotes from the movie.

I enjoyed revisiting the first Matrix movie and taking the time to analyse what the Wachowski brothers were doing.

It is not the sort of thing I’d choose to watch over and over, unlike Fire Fly for instance, which has layers upon layers. But I can still admire it for what it is.

I guess a writer or movie maker knows they have made an impression when things they’ve created become part of popular culture. When a new type of hominid gets named a ‘hobbit’  you know that the book where that invented word appeared has become mainstream.

What movies of books have made a lasting impression on you? What did you find yourself thinking about days afterwards?

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Filed under Characterisation, creativity, Fun Stuff, Genre, Movies & TV Shows, Resonance, Writing craft

Firefly, why weren’t there more episodes?

I’m currently preparing a lecture on dialogue and I began to trawl the Firefly series for examples.

It made me realise I could use this series for examples of excellent world building.

And characterisation.

Dramatic tension.

Subtle subtext in dialogue and character interaction.

Lighting and shooting. Music (that scene where they bring the young man’s dead body home).

Planting of clues that contribute towards a larger story arc in self contained episodes.

In fact the whole series is just so darn good, I don’t know why it was cancelled. What’s your favourite scene from Firefly?

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Filed under Characterisation, creativity, Genre, Movies & TV Shows, Story Arc, Writing craft

Back refreshed and ready to tackle a recalcitrant book!

You know how your mind gets when you’ve been working too hard. Seen the same thing day after day, done the same thing day after day and tried to be creative on top of that?

My mind felt stale.  Taking a trip to Tasmania was just the thing I needed to refresh myself.  The air was crisp and cool, something we don’t get much of here in Brisbane, and everywhere I looked there were scenes worthy of photographing. Not that I’m much of a photographer. Daryl took this one of Ross Bridge.

It was built by convicts back in the days when a soldier who had served at Waterloo could find himself on the other side of the world in a tiny town in the middle of Tasmania, guarding the female convicts.

I took this picture at dawn from the top of a hill at St Helens on the east coast of Tasmania. It was beautiful, the photo doesn’t do it justice. The people inthe house below had a fire going to keep warm and I was trying to capture the dawn sun shining through the smoke.

The other thing that I did a lot of was writing. I took my lap top and wrote about 60 pages of my latest WIP (work-in-progress). I did want to finish the book and I’m about a chapter off the end but I can’t finish it.

I know how I want the story to end, but the characters are refusing to go in that direction. I’ll have to return to the beginning and rewrite it, tweaking as I go, to get to know them all over again, because they have grown and changed as I wrote. Now they have a better idea of what is true to them, than I do and forcing them  to do something just because I’d planned it, is only going to make the writing flat and boring. Sigh.

Do you have recalcitrant characters?

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Extreme Nerd Alert

I have already confessed to using Lord of the Rings as my comfort movie, when I’m too sick to think straight or I just want to ‘vege’ out on the couch.

The other day at work, Brendan put me onto DM of the Rings. Now if you have ever read LOTR, or seen the movie and you’ve played D&D, then you will love this comic.

Created by Shamus Young, a software engineer and D&D player, the premise of the comic is — What would really happen if Tolkien had been a Dungeon Master, trying to get his friends to play his story as a D&D game?

The characters spend their time looking for loot and fights, or trying to seduce attactive passing females. Having had the experience of working with a lot of young males on their stories, this strikes me as pretty accurate.

Which raises the question, are our fantasy novel about honourable heroes way off the mark? Has Joe Abercrombie got it right with his disreptuable characters, who are all out to get what they can? Do we want more realistic fantasy books?

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Filed under Characterisation, creativity, Fantasy books, Fun Stuff, Nourish the Writer, The Writing Fraternity

Indulgence Day!

Ok, I’ve worked hard all week. In fact, I’ve worked hard all term and it’s not over yet. Next week all the final assessments are due in, which means I’ll be doing marking for hours on end.

So this weekend I am treating myself, and my boys. We’re going to see the new Iron Man movie. What’s that? As soon as I say the words you can hear the music? Now that’s what I call Resonance. Black Sabbath’s ‘Paranoid’ which contained Iron Man was released in 1970. So I grew up with it. And it is still as powerful as it was then.

What else do you think of when I say Iron Man? This weekend with the second movie just released it has to be Robert Downey Jr’s portrayal of the Tony Stark character. Kudos must go to the script writers of the first movie, Markus Fergus, Hawk Ostby, Art Marcum, Matt Holloway and John August. Of course, Downey did a great job with the role, but I think the script writers’ strike proved that without writers you don’t have a TV show or a movie.

So what we’ll do is watch the first movie tonight, to refresh ourselves, then see the second movie tomorrow. I’ll be looking for stylistic consistency. And I’ll be looking to see how they develop Tony Stark’s character.

A lot can be learnt from movies and TV shows. Everything, character, world building, plot clues and tension all have to be established fast. And then there is Resonance, the feel you associate with a movie or TV series. There is also Resonance associated with books and book series. And if you don’t think that books carry Resonanace, what do you feel when I say Terry Pratchett’s Disk World series? Totally different from China Mieville’s Perdido Street Station. What about Mervyn Peake’s Ghormenghast? It’s been thirty years since I read that and yet, I still have a strong sense of place and character.

Maybe I’ll do a post on Resonance. I find it really interesting. What books and characters stick with you over time?

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Currently watching …

The Guild!

This is a satire on on-line gamers. The first season of The Guild was financed by fans. It is sweet and insightful as well as sharply observant at times. I have four sons. They play on-line games. I teach at the college which specialises in teaching computer game design, so it is filled with gamers.

This series made me laugh aloud.

The Guild is an example of what can happen when a bunch of talented people get together and a studio isn’t standing over them telling them what is commercial.

The show was written by Felicia Day, an actress who turned an addiction to World of Warcraft into a sitcom pilot. Now there’s a comic, issued by Dark Horse.

Go Felicia!

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Filed under Characterisation, Fun Stuff, The Writing Fraternity

Currently watching ….

Mad Men Series 3

First let me say, I always buy the whole series of a TV show and watch it in batches of 3 or 4 episodes at a time because I’m interested in the story arc and character development.

I keep watching this show because it is like a time capsule. As I sit there watching Betty, heavily pregnant, smoke and drink blissfully unaware of the damage she’s doing I think, what a nice piece of writing/directing.

Someone complained when the first season came out that there were no black people in it or, if there were, they had subservient roles. (A few  black people have turned up since). This isn’t a story about the emancipation of the blacks in the US in the 60s. It is a story about the advertising world of Madison Avenue and it would be anachronistic to show a black man working in advertising with Don Draper. (If someone can prove me wrong, I’m happy to be corrected).  The way women and blacks  are treated in the show is accurate for the time.

And that’s what I find fascinating. Betty and Don Draper could be my mother and father. Not that they drank, smoked and had affairs, but the limitations of their life choices were the same. My mother had three career options, teacher, nurse or secretary. And women were expected to stop work when they got married.  The clothes, the cars and the furniture are all from the period when I was a very small child. So, for me, this show is a trip down nostaglia lane.

Watching Salvatore try to hide he fact that he’s gay, watching copy writer Peggy battle to have her abilities recognised, watching head secretary Joan be passed over when she could run the place, watching house wife Betty’s quiet desperation as she describes herself as a pampered ‘house cat’ makes me very relieved that I don’t live in the 1960s.

But I do feel the show would be a little stronger, if it veered one step closer to social commentary. There is so much material to work with. What do you think?

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